

The shovel propped up against the wall is the real-world prototype of a hanging carved wood sculpture. The epiphany marked the beginning of a lifelong fascination with the boundaries of reality and our perception of it. His parents told him it was a mirage, an illusion. You can see the major steps of the process in a short video at Clones and MiragesĪs a young child in the backseat of the family car on a long hot Arizona highway, Eckert was struck by the persistent sight of water on the road. Peterson needed six gallons of house paint and a full-body harness to create this artwork. As in many trompe l'oeil illusions accomplished by painting, the expert use of shadows is critical. The images are stretched so as to optimize 3-D perception for viewers at the observation level of the Space Needle other vantage points diminish the illusion. Artist Marlin Peterson painted harvestmen (which, although they are arachnids, are not actual spiders) on a Seattle rooftop. One way to achieve spectacular trompe l'oeil illusions is through the use of anamorphic perspective. The end result is not the perception of a masterful wood carving but of magic and the impossible. The thinness, detail and luster of the carving deceive our visual neurons, and we conclude that the material must lack the structural integrity to support a large, heavy object, despite what we see.

The “silk” cloth raising the ivory ball is not fabric but wood. “I create illusions.” Indeed, pieces such as The Raising of the Sphere appear to defy the laws of nature rather than emulate them.

“Trompe l'oeil implies mimicry,” Eckert says. Tom Eckert, a modern-day Parrhasius, does not consider himself a trompe l'oeil artist. Such illusions work because your visual system uses position, shading and even the interplay of light on an object's surface to build a mental representation of the world around you. Sure of his victory, he attempted to unveil Parrhasius' painting but was crushed to realize that the curtain he tried to pull aside was the art itself. Zeuxis painted such lavishly appetizing grapes that birds tried to eat them. True LiesĪccording to legend, trompe l'oeil (“to trick the eye,” in French) originated in a competition between artists Zeuxis and Parrhasius in ancient Greece. “My solution was to apply aspects of the surrounding five blocks of architecture into a sculptural facade that appears to be a giant curtain,” Besant says.
#ART OF ILLUSION SF ARTISTS WINDOWS#
Lawrence Market, was knocked down to create a park, and five windows were punched into the firewall facade, creating an aesthetic problem. The back end of the Gooderham Flatiron Building, a magnificent 1893 Victorian triangular structure with turrets and coned rooflines at the heart of Toronto's Theatre District and St. The Flatiron Mural is artist Derek Besant's milestone outdoor public trompe l'oeil mural for the city of Toronto in Canada. Is the rag abandoned on the workbench a model for a sculpture, or are we looking at the carving instead? Only after touching it can we decide. Elsewhere in the studio, we mistake wood sculptures for balled-up used work rags, and vice versa. Instead a metal fastener hidden in the back supports the entire piece, and the shovel's filmy silhouette is spray-painted onto the solid wood block that is the faux silk curtain. Eckert reveals that the shovel is wood as well, as is the “plastic” hook holding it and the two not really galvanized metal nails securing the curtain to the wall. We had seen photographs of Eckert's art before our visit, so we suspect that the translucent curtain is carved out of wood. A new snow shovel-Eckert cannot get much use of it in Tempe, Ariz.-hangs on the back wall, covered by a sheer piece of fabric. In the studio of sculptor Tom Eckert, life appears to imitate art.
